Weaving together art and craft: a practice-based investigation into artists’ integrations of art and craft, with reference to the works of Corina Lemmer and Ngoneni Khumalo-Kubheka.
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Date
2023
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Abstract
This study emerged from my creative practice, in which I used wool to knit, crochet, bind and
combine with other objects and materials which in combination became art. This dissertation
gives the context of my work, and explores the art and craft terminologies in detail, based on
literature, investigating the origins of these concepts and how their meanings have altered across
different periods and societies. To complement the practice side of the research, a case study
documents a collaboration between Ngoneni Khumalo-Kubheka and Corina Lemmer, and their
artworks made of repurposed clothing, fibre and beadwork. Gathering of data from multiple
sources, such as interviews, the observation of craft processes, and documentation of my practices
was appropriate for the qualitative method in the study.
The findings of this dissertation were that art and craft methods and techniques keep evolving,
including the type of materials being used and platforms to reach a wider audience. It was
discovered that when people merge these techniques associated with art and craft through
collaborations and their use of materials, to make rich and meaningful work across boundaries.
My own work developed, from using the crafts learned in my family, and my previously separate
art practices, to using unusual combinations to make new and unique pieces based on my
intuition. This journey was finally combined into my exhibition which combined my works in a
playful manner.
Description
Masters Degree. University of KwaZulu-Natal, Pietermaritzburg.