Considerations in the realization of an oboe concerto : an oboist's viewpoint.

dc.contributor.author	Saunders, Robin Estridge.
dc.date.accessioned	2013-05-20T11:53:26Z
dc.date.available	2013-05-20T11:53:26Z
dc.date.created	1979
dc.date.issued	1979
dc.description	Thesis (M.Mus)-University of Natal, Durban, 1979.	en
dc.description.abstract	This thesis is divided into three main sections. Part I concerns general aspects of performance, whilst Part II deals specifically with performance aspects of the Double Concerto for Oboe, Harp and Strings by Hans Werner Henze. Part III is a summary and conclusion of Parts1 and 11. It is hoped that this thesis will provide both a fresh approach to performance in general and also to the performance of Henze's double concerto. I have chosen to discuss aspects of Henze's double concerto, because of its significance as a major oboe concerto in the repertoire and the demands it makes on the oboist both as interpreter and technician.	en
dc.identifier.uri	http://hdl.handle.net/10413/8939
dc.language.iso	en_ZA	en
dc.subject	Music--Performance.	en
dc.subject	Theses--Music.	en
dc.subject	Henze, Hans Werner, 1926-. Concertos (oboe, harp with string orchestra)	en
dc.subject	Music--Interpretation (phrasing, dynamics, etc.)	en
dc.title	Considerations in the realization of an oboe concerto : an oboist's viewpoint.	en
dc.type	Thesis	en

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