Darwinizing the philosophy of music education.

Abstract

Educational philosophy generally and the Philosophy of Music Education in particular have been slow to consider in any real depth the findings of those sciences most concerned with explaining human nature, that is, the attributes (capacities, aptitudes, predilections, appetites) we have in common because we share the same genome, much of which we also share with other species. There are several such sciences which may collectively be called Darwinian Science in that they all take as axiomatic Darwin‘s explanation for how life evolves according to the law of natural selection – a simple, mindless and purposeless algorithm that has played out for over four billion years and which continues to do so, driving not only biological evolution but, as this study argues, cultural evolution as well. Evolutionary Psychology (including Biomusicology and Evolutionary Aesthetics), Cognitive Neuroscience and Gene- Culture Coevolution Theory are the overlapping fields that this study draws from in developing an understanding of the adapted mind useful for engaging with questions germane to the Philosophy of Music Education, principally those concerning the nature and value of music and how best it should feature in general education. These are questions that have not hitherto been addressed from a Darwinian perspective. This study develops such a perspective and applies it not only to questions around music‘s educational values and possibilities, but to more encompassing philosophical questions, wherein the goals of music education are made accountable in relation both to Dewey‘s ideal of society as a function of education, and to an ecozoic vision of a sustainable planetary habitat of interdependent and interconnected life forms.