The rhythmo-melodic Geste as agent of spiritual communion and/or affirmation of identity : an investigation into the performance of selected tamil and zulu marriage rituals and ceremonies in South Africa.

Abstract

This study examines the similarities and differences between the historical background and the current performance of Tamil and traditional Zulu marriages. After presenting an account of the historical development of Tamil and Zulu marriage ceremonies, a chronological account of the performance of each of these marriage ceremonies is presented. This account includes a detailed description of the rituals performed during the pre-marriage ceremonies, the actual marriage ceremonies and the post-marriage ceremonies. The incidence and significance of The Anthropology of Geste and Rhythm in each of these ceremonies are demonstrated. Selected Tamil and Zulu Marriage songs are then analysed and interpreted rhythmo-stylistically to demonstrate the incidence of the mnemonic laws of Bilateralism, Rhythmism and Formulism, which account for the transmission of traditions over generations, and which demonstrate the anthropological and psycho-biological nature of memory, understanding and expression as evident in the performance of Tamil and Zulu marriages in KwaZulu-Natal.