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Paperclay in recent South African ceramics : continuity and change in studio works.

dc.contributor.advisorCalder, Ian Meredith Shepstone.
dc.contributor.authorFrisinger, Leanne April.
dc.date.accessioned2013-03-20T13:38:02Z
dc.date.available2013-03-20T13:38:02Z
dc.date.created2012
dc.date.issued2012
dc.descriptionThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2012.en
dc.description.abstractThis dissertation comprises the documentation and theoretical component of a practice-led Master of Arts in Fine Art. The illustrated text focuses in four chapters on a critical explication of contemporary South African ceramists namely, Juliet Armstrong, Betsy Nield, Liza Firer and Leanne Frisinger. The dissertation includes significant discoveries about the creative use of paperclay in contemporary South African ceramics and provides documentary record of the candidate’s materials and processes. A conclusion briefly compares productions referred to in the text.en
dc.identifier.urihttp://hdl.handle.net/10413/8727
dc.language.isoen_ZAen
dc.subjectPaper clay--South Africa.en
dc.subjectClay--South Africa.en
dc.subjectCeramics--South Africa.en
dc.subjectPotters--South Africa.en
dc.subjectTheses--Fine art.en
dc.titlePaperclay in recent South African ceramics : continuity and change in studio works.en
dc.typeThesisen

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