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Cybernetics, semiotics and meaning in the cinema.

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Date

1985

Journal Title

Journal ISSN

Volume Title

Publisher

School of Communication. University of Johannesburg.

Abstract

This paper builds on Gene Youngblood's use of cybernetic theory in film analysis. It combines the cybernetic method with Peircian-derived semiotics in an attempt to derive a meta-theory of social process and film textual structure. An attempt is made to resolve the more deterministic elements of Youngblood's theory, developing a more probabilistic approach. The paper ends with some conjecture on how the cyber-semiotic theory developed can be combined with Lacanian psychoanalysis and Marxist approaches developed by the scholars contributing to the British journal Screen.

Description

Keywords

Cybernetics., Motion pictures--Theory, etc., Film criticism., Semiotics.

Citation

Tomaselli, K.G. 1985. Cybernetics, semiotics and meaning in the cinema. Communicare 4(1) pp. 48-62.

DOI