Evaluating Shona liturgical music in localised practices of inculturation within the Catholic Mass in Zimbabwe.
MetadataShow full item record
This study evaluates practices of inculturation in the composition and performance of Shona liturgical music for the Catholic Mass in the parishes of St Theresa Seke and Glen Norah-Budiriro, which are both located in Harare, Zimbabwe. Whilst focusing on Shona liturgical songs and their performance as expressions of Shona culture, this research is premised on diversity in local interpretations of inculturation among the Shona Catholic subjects of this study. Chapter 1 introduces elements of the conceptual framework of the research topic, the research methodology and also presents the theoretical underpinnings of the study. Chapter 2 focuses on the interpretations of inculturation by the parishioners and local leadership, represented by bishops of the two local parishes under focus. In Chapter 2, only the bishops‟ and parishioners‟ interpretations are taken into consideration. Chapter 3 deals further with interpretations of inculturation by Shona composers and probes how this influences their approach to composition. Chapter 4 discussions are centred on the role of parishioners in the performance of Shona songs for the Mass, and also investigates the musical ramifications of differences between parishioners‟ and composers‟ views of the Shona culture in Shona liturgical songs. By focusing on musical instruments, dance and language both the composed and performed elements of Shona liturgical songs are investigated in terms of how they express the Shona culture, using pioneering and current examples of Shona liturgical compositions by important composers such as Stephen Magwa Ponde, Chaka Chawasarira, Nicholas Muchenu, and John Kina Dzingai. Chapter 5 presents a summary and conclusion to this thesis.
Showing items related by title, author, creator and subject.
The mangalam and its significance to Indian South Africans in Kwazulu Natal. Francis, Amrita. (1999)Weddings have always been an indispensable and auspicious part of Hindu life both in South Africa and in India. This study is an examination of one aspect of Hindu weddings, viz. the vocal and sometimes instrumental recital ...
Indian South African popular music, the broadcast media, and the record industry, 1920-1983. Jackson, Melveen Beth. (1999)This thesis is an historiographical and sociological study of Indian South African broadcasting and the music industry between 1924 and 1983. A multilevel approach which integrates empirical and cultural materialist ...
From rock'n'roll to hard core punk : an introduction to rock music in Durban, 1963-1985. Van der Meulen, Lindy. (1995)This thesis introduces the reader to rock music in Durban from 1963 to 1985, tracing the development of rock in Durban from rock'n'roll to hard core punk. Although the thesis is historically orientated, it also endeavours ...