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dc.contributor.advisorCalder, Ian Meredith Shepstone.
dc.creatorFossey, Natalie.
dc.date.accessioned2014-04-24T11:43:31Z
dc.date.available2014-04-24T11:43:31Z
dc.date.created2012
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/10413/10623
dc.descriptionThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2012.en
dc.description.abstractKey words: William Hogarth Exhibition; Hogarth in Johannesburg (1987-1988) Series; A Rake’s Progress, Marriage-a-la-Mode and Industry and Idleness Artists; Robert Hodgins Deborah Bell William Kentridge William Hogarth Caversham Press, KwaZulu-Natal, South Africa Printmaking Printmaking in South Africa Resistance art Narratology, narrative, discourse, story, plot, Transference of narratives Sequential art narrative and comics This dissertation considers the prints by South African artists, William Kentridge, Deborah Bell, and Robert Hodgins for the Hogarth in Johannesburg exhibition (1987) in the context of William Hogarth’s historical suites of prints referred to in the title of the exhibition, and contemporary theories about Sequential Art and Narrative. Produced for the artists at The Caversham Press of Malcolm Christian in KwaZulu-Natal, particular emphasis is placed on the images created by Deborah Bell, Robert Hodgins and William Kentridge (such as Industry and Idleness, Marriage-a-la-mode and A Rake’s Progress), and shown in their combined exhibition Hogarth in Johannesburg, in 1987.en
dc.language.isoen_ZAen
dc.subjectHogarth, William, 1697-1764--Adaptations.en
dc.subjectHogarth, William, 1697-1764--Criticism and interpretation.en
dc.subjectHodgins, Robert.en
dc.subjectKentridge, William, 1955-en
dc.subjectBell, Deborah, 1957-en
dc.subjectPrintmakers--South Africa.en
dc.subjectTheses--Fine art.en
dc.titleSequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge.en
dc.typeThesisen


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