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Media, Visual Arts and Drama

Permanent URI for this communityhttps://hdl.handle.net/10413/6510

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Browsing Media, Visual Arts and Drama by Subject "#FeesMustFall."

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    Hearing the ‘Voiceless’ : examining the #FeesMustFall movement as an issue community.
    (2017) Muchena, Mellisa Rufaro.; Pitcher, Sandra.
    The hashtag #FeesMustFall was adopted by students on social media platforms as a rallying cry to unite students and the public to support the cause for free education in South Africa (Thomas, 2015). This study aims to ‘listen’ to the voices of #FeesMustFall 2016 on Twitter. Literature focussed on exploring how issue communities (Mareider and Schwarzenegger, 2012) and social curation (Villi, 2012) provide insight on the characteristics of the #FeesMustFall movement. Furthermore, this research investigates the conversations of this online community on matters of free education. Therefore, the conversations were examined using the norms of the Hauserian (1999) public sphere, which focusses on discourse and not the group enacting the discourse. Because this research explored aspects of ‘hashtag activism’, this type of analysis proved useful to understand new types of civic engagement which occur on online platforms like social media. In terms of methodological framework, this study was grounded within cultural studies and network theory as it explored the discourses within the conversations and the network structure of the community. This helped uncover the underlying topics discussed in the community, and identify the most influential members.
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    Hearing the ‘Voiceless’ : Examining the #FeesMustFall movement as an issue community.
    (2017) Muchena, Mellisa Rufaro.; Pitcher, Sandra.
    Hearing the ‘Voiceless’: Examining the #FeesMustFall movement as an issue community The hashtag #FeesMustFall was adopted by students on social media platforms as a rallying cry to unite students and the public to support the cause for free education in South Africa (Thomas, 2015). This study aims to ‘listen’ to the voices of #FeesMustFall 2016 on Twitter. Literature focussed on exploring how issue communities (Mareider and Schwarzenegger, 2012) and social curation (Villi, 2012) provide insight on the characteristics of the #FeesMustFall movement. Furthermore, this research investigates the conversations of this online community on matters of free education. Therefore, the conversations were examined using the norms of the Hauserian (1999) public sphere, which focusses on discourse and not the group enacting the discourse. Because this research explored aspects of ‘hashtag activism’, this type of analysis proved useful to understand new types of civic engagement which occur on online platforms like social media. In terms of methodological framework, this study was grounded within cultural studies and network theory as it explored the discourses within the conversations and the network structure of the community. This helped uncover the underlying topics discussed in the community, and identify the most influential members.
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    Social media activism and simulated democracies: a comparative exploration of #FeesMustFall (South Africa) and #Jallikattu protests (Tamil Nadu, India)
    (2024) Govender, Kameshwaran Envernathan.; Sewchurran, Anusharani.
    Social media's transformation into public spheres has influenced activism and shifted protests and social movements into digital spaces. The #FeesMustFall movement (2015) campaigned for free education in South Africa. #FMF was precipitated by the #RhodesMustFall movement (2015) which called for the removal of the statue of Cecil Rhodes at the University of Cape Town, which represented colonialism. #RMF called for the decolonisation of education and #FMF reiterated the same. In parallel, the #Jallikattu protests (2017) in Tamil Nadu was against the Supreme Court's ban of 'Jallikattu’ a 2000-year-old cultural sport with bulls. The protests were triggered by the cumulative grievances of the people of Tamil Nadu against India's union government. The temporal proximity, student-led activism, social media influence of the protests and the nations being post-colonial democracies invoked the interest for this inter-continental comparison of protest cultures. This study explores a unique comparison of democracies via protest movements in South Africa and India. The researcher has collected data from blogs, e-newspapers, e-magazines, online news aggregators, e-editions of mainstream media, Facebook, Twitter, YouTube, and personal interviews to compare the discourses, which emerged from both these social campaigns. A snowball sampling method and open-ended interviews were used to collect data from student protestors, university faculty, media persons and the general citizenry. Foucault's discourse analysis and Yin's explorative case study analysis were used to analyse the collected data. Gidden's structuration theory provided a theoretical lens to how colourism, police brutality, racism, casteism, sexism, centres of protests, media bias, and diaspora support affected the social movements. Baudrillard’s simulacra and simulation theory afforded further analysis of the levels of democracies in both these nations. Drawing from the above events and narratives the researcher posits a simulation of democracy in South Africa and India disrupting normative ideals.