Browsing Doctoral Degrees (Media, Visual Arts and Drama) by Issue Date
Now showing items 1-20 of 23
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Art and architecture in Natal, 1910-1940.
(1986)This thesis is a study of important trends in Natal art of the period 1910-1940, with a section on related architectural developments. In Chapter One Natal's colonial background and continued dependence on Britain for ... -
The methods and techniques employed in the manufacture of the Shroud of Turin.
(1993)The main objective of the inquiry is to deduce the methods and techniques that were employed in the manufacture of the historically unique Shroud of Turin. By taking a more or less phenomenologically based stance, it is ... -
Lost in transformation : a critical study of two South African museums.
(2008)In this dissertation Transformation, as understood in South Africa, is investigated in the ‘Natal Museum’ and the ‘Msunduzi Museum Incorporating the Voortrekker Complex’ in terms of socio-political structures, the museum ... -
Michael Zondi : creating modernity.
(2010)This dissertation considers the creativity of Michael Zondi as one of South Africa’s so-called pioneer artists and the manner in which he used his art to contribute and create modernity. His creative skills initially ... -
Culture, politics and identity in the visual art of Indian South African graduates from the University of Durban-Westville in KwaZulu-Natal, 1962-1999.
(2012)The purpose of this research is to document the visual art production of Indian South Africans who graduated from the University of Durban-Westville (UDW) with a degree in Fine Art, and provide an explanation of how and ... -
Drawing as a generative medium in art making.
(2013)The research of a practice led PhD in Fine Arts consists of interrelated artwork and writing (Macleod and Holdridge 2005:197). In the dual practical and theoretical research for this PhD I examined drawing as a generative ... -
When granny went on the internet : the screenplay and the search for content and tone in South African screenwriting.
(2014)The development of content and the creation of tone in a screenplay is a challenging task for the screenwriter. This thesis explores, through the writing of an original screenplay, how content is sourced and tone is ... -
Other than ourselves : an exploration of "self-othering" in Afrikaner identity construction in Beeld newspaper.
(2014)This thesis explores Afrikaner identity construction in Beeld using the concept of “self-othering”, by which is meant first, the representation of the group as “othered” or marginalised, and second, the re-articulation of ... -
Theatre for social capital : a case study at Mangaliso child and youth care centre.
(2015)This study was conducted at Mangaliso2 Child and Youth Care (CYCC) in KwaZulu-Natal, South Africa, in response to concerns expressed by child residents of the high prevalence of aggressive behaviour in the CYCC. This study, ... -
An animated film with an accompanying analysis of its relationship to the theory and practice of art and animation.
(2016)The focus of this practice-based PhD study is the production of an experimental, 2D animated short film of 10 minutes, 27 seconds, titled Big Man. The animated film is a retelling of several episodes that are found in ... -
Deviant doodling: contextualising the discourses of Zapiro in a socially responsible press.
(2016)Abstract available in PDF file. -
Beyond homeland crisis: identity negotiation of Black Zimbabwean women migrants in the South African metropolis of Johannesburg.
(2017)The thesis interrogates the identity creations/recreation and negotiations/renegotiations of Zimbabwean women migrants living in the metropolis of Johannesburg. The study combines the self-descriptions of women migrants ... -
Choreographies of identity, self and the ‘African’ dancing body in negotiating contemporary dancing histories and practices in KwaZulu-Natal post 1994 : a case study of Flatfoot Dance Company.
(2018)This thesis, through a series of case studies of my dance work with FLATFOOT DANCE COMPANY (post 1994), offers an interrogation of both my internal and external processes of decolonising entrenched paradigms of training, ... -
She’s seldom seen wearing her director’s hat here: interrogating the paucity of black women stage directors in three state-supported theatres in contemporary South Africa (1999-2018)
(2020)The startling dearth of black women stage directors accessing three of South Africa’s six state-funded theatres – Artscape, the Market and the Playhouse – between 1999 and 2018 forms the impetus for this study. Production ... -
Exploring gender identities of females from township in Durban as represented and negotiated through stereotypes by South African soap operas: Generations: The Legacy and Isidingo: The Need.
(2020)This study explores gender identities and media culture of black African women through digital storytelling using two of South Africa’s popular soap operas, Generations: The Legacy and Isidingo: The Need, as its case ... -
Developing a methodology for creative interpretation of traditional dramatic texts in post-apartheid theatre: a case study of Shakespearean interpretation at the University of KwaZulu-Natal.
(2021)While student demographics in higher education have changed to reflect South Africa’s multicultural society, many universities are still offering traditional Drama curricula with colonial-based content. This thesis focuses ... -
Articulations of the media, migration and the urban in constructions of black African subjectivity in post-apartheid South Africa: a decolonial approach.Ukuvezwa kwezokuxhumana, ukufuduka kanye nobudolobha ekwakheni ubu-Afrikha obumnyama obuvumelana nesikhathi sangemumva kobandlululo eNingizimu Afrikha: Indlela ephikisana nobuqonela.
(2022)This study enacts a decolonial Media and Cultural Studies. Rather than think in terms of what the media as technologies of culture ideally ought to do, the thesis focuses on what the media have historically done in South ... -
Life stories: ethnographic portraits of migrant women challenging gender based violence in South Africa(Durban).
(2022)Gender-based violence (GBV) is not a new problem –nor is it unique to South Africa. However, the problem is profound and widespread in South Africa, a violent society. South Africa is the regional economic powerhouse, a ... -
Theatre as grieving: a theatrical response to the Matabeleland and Midlands disturbances of the 1980s (A.K.A. Gukurahundi) in Zimbabwe.
(2023)This research explores devised theatre, in the form of Popular Participatory Theatre (PPT) as a way of encouraging the victims and survivors of the Gukurahundi and their community members to speak out on this issue to ...