Browsing Doctoral Degrees (Music) by Title
Now showing items 1-20 of 28
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Archiving the cultural legacy of mbira dzavadzimu in the context of kuriva guva and dandaro practices.
(2013)This thesis focuses on archiving cultural legacy of Shona mbira dzaVadzimu in the context of kurova guva and dandaro practices. The study is informed by archive theory which provides insights on how to collect and archive ... -
Darwinizing the philosophy of music education.
(2011)Educational philosophy generally and the Philosophy of Music Education in particular have been slow to consider in any real depth the findings of those sciences most concerned with explaining human nature, that is, the ... -
Educators’ technological, pedagogical, and content Knowledge of implementing a Music Magnet School Programme in the Gauteng Province.
(2023)Music educators in the Gauteng Province, especially in Music Magnet Schools, face enormous challenges in effectively implementing/enacting the music curriculum. The challenges stem from educators holding different beliefs ... -
The effect of auditory discrimination on the learning of music concepts.
(1984)This study investigates the effect of training in auditory discrimination on the learning of music concepts. The study draws on Klausmeier's theory concerning the role of discrimination in concept learning, and on Gibson's ... -
The establishment of a musical tradition : meaning, value and social process in the South African history of Handel's Messiah.
(2008)Handel's Messiah occupies a unique position in the musical life of South Africa. No item from the canon of 'classical' European choral music has been performed more often, over a longer period of time, and in a wider ... -
Frederic Chopin : gender as a factor in reception.
(2004)Frederic Chopin's contemporaries took note of his preference for a piano with a light escapement. They commented that his method of playing was light in touch, and that his demeanor on stage contrasted strongly with that ... -
From the ladder to the mountain : Arnold Schoenberg's religious odyssey.
(1998)The study traces Arnold Schoenberg's spiritual journey as he moves from his oratorio Die Jakobsleiter, through his nonmusical drama Der biblische Weg to the opera Moses und Aron. These works span the years from approximately ... -
Generic style music preferences of urban South African students.
(2000)The purpose of this exploratory study was to measure the music preferences of South African, junior secondary students and to find out what variables had an influence on their music preference decisions. LeBlanc's (1982) ... -
Ghanaian palmwine music: revitalizing a tradition and maintaining a community.
(2020)This doctoral thesis examines the tradition of Ghanaian palmwine music, exploring strategies for its revitalization and sustenance. Framed within the context of applied ethnomusicology and through the theoretical lens ... -
The harmonic perspective of rhythm: applications for the expansion of musical awareness and the acquisition of rhythmically complex music.
(2017)This study describes and evaluates a new paradigm for informed rhythmic practice: the harmonic perspective of rhythm. Normal, theoretically driven or written rhythmic conceptions have tended to rely on a limited grid based ... -
Hippies, radicals and sounds of silence : cultural dialectics at two South African universities, 1966-1976.
(2010)This study explores the impact of the counter culture on students at two Anglophone universities in the 1960s and 70s. It focuses on the social and historical differences that predisposed English speaking youth to metropolitan ... -
Indian South African popular music, the broadcast media, and the record industry, 1920-1983.
(1999)This thesis is an historiographical and sociological study of Indian South African broadcasting and the music industry between 1924 and 1983. A multilevel approach which integrates empirical and cultural materialist ... -
The influences of Christianity and commerce on the culture of popular gospel music in post-apartheid South Africa.
(2017)Gospel music is the biggest genre of popular music in South Africa. This popularity can be attributed to various elements that are an integral part of the diverse South African democratic society. As a developing country ... -
Jazz as discourse : a contextualised account of contemporary jazz in post-apartheid Durban and Johannesburg.
(2005)This study offers an ethnographically contextualised close reading of the music played by three 'jazz' groups in eight concerts held in Durban and Johannesburg between June 1994 and December 2003. These performances were ... -
Mhande dance in kurova guva and mutoro rituals : an efficacious and symbolic enactment of Karanga epistemology.
(2011)This thesis is an ethnography of mhande dance as a dynamic phenomenon that enunciates Karanga belief and normative values that are enacted through performance of mhande dance in its chief indigenous contexts: the kurova ... -
Moral and socio-legal dimensions of Surat al-Nur (Chapter 24 of the Qur'an)
(2002)No abstract available. -
Muziki wa Injili : the temporal and spatial aesthetics of popular church music in Dar es Salaam, Tanzania (1980s-2005)
(2006)This study is concerned with popular church music in Dar es Salaam and with changes in this music in relation to the concepts of temporality and spatiality. In part one, I argue that temporal change is experienced by ... -
Namibian music and dance as ngoma in arts education.
(1997)The aim of this thesis is to explore Namibian music and dance, to gain understanding of the character of different practices and through this, to provide teachers and learners in schools with materials suitable for use ... -
Orchestral music was the music of the working class : Indian popular music, performance practices and identity among Indian South Africans in Durban, 1930-1970.
(1999)During the mid-1930s, a tradition of music-making which drew its repertoire almost exclusively from the music of Indian films began among Indian South African ensembles in and around the city of Durban. This dissertation ...