Masters Degrees (African Languages)

Permanent URI for this collectionhttps://hdl.handle.net/10413/8279

Browse

Now showing 1 - 20 of 48

An investigation into the tonal system of Zulu, with special reference to nouns.
(1956) Cope, Anthony Trevor.
No abstract available.
An analytical survey of Zulu poetry both traditional and modern.
(1959) Kunene, Raymond Mazisi.; Malcolm, M.; Cope, Anthony Trevor.
No abstract available.
A preliminary survey of Zulu dialects in Natal and Zululand.
(1979) Kubeka, Isaac Sibusiso.; Cope, Anthony Trevor.
No abstract available.
C.L.S. Nyembezi's use of traditional Zulu folktales in his Igoda series of school readers.
(1985) Canonici, Noemio Noverino.; Cope, Anthony Trevor.; Koopman, Adrian.
No abstract available.
An analysis of the praises of domestic animals.
(1992) Molefe, Lawrence.; Koopman, Adrian.
It occured to me that scholars who undertake to explore praises in Zulu have centred much analysis on praises of human beings and very little on those of domestic animals. Domestic animals are very close environmental company to any Black person in South Africa, especially to those who reside in farming areas. This study demonstrates that the domestic animal merits praise because it constitutes a kind of relative and colleague to a Black person. The first chapter gives a general layout of those to follow. What one has to note in the first chapter is the assessment of the extent to which scholars have made studies towards assessing praises of domestic animals. To be more precise, about six books have been identified containing some gleanings on the praises of domestic animals . This scarcity of documented sources for these praises together with the fact that praises of domestic animals are still mainly part of oral tradition constitute the main reason prompting this study. Chapter Two analyses hopefully in depth the social aspect of praises of domestic animals. We deduce from the numerous facts emerging from the inter-relationship between owner and animal that the main reason for the existence of the praises in question, is to forge links that bind poet and animal together. Aspects discussed in Chapter Two are, among others, the purpose of praising which examines the effect of praises on both the animals themselves and the community at large. The chapter also looks at the various poets in this field, the occasions during which domestic animals are praised, and the kind of audience anticipated when praising these animals. Though almost all the poets in this regard are wholly nonliterate, the praises they compose are nevertheless rich in literary constructions. They decorate the praises with all sorts of poetic expressions. One may even imagine that the praises of domestic animals were composed by modern learned poet who composed them by transcription and had all the skills to adopt the most impressive literary forms. Chapter Four sums up the role of praises of domestic animals on society as well as the literary richness that the praises possess. On the other hand this chapter Four is also to be taken as the summary and distillation of the previous ones.
Homestead names as a reflection of social dynamics in Mabengela, Nkandla.
(1999) Shabalala, Mbali Aldromeda.; Koopman, Adrian.
Homestead naming has been a Zulu practice since the days of King Shaka. Although this practice has been abandoned by some of the Zulus especially those living in urban areas, it still exists in some rural areas e.g. Mabengela. This study on ''Homestead names as a reflection of social dynamics in Mabengela, Nkandla" , is divided into five chapters. The first chapter 'Introduction' looks at both the introduction to the thesis and also the introduction to the research area. It looks at the methodology used in this study and also gives a brief background of the life people in Mabengela live. The second chapter 'The Zulu homestead and its social organisation' pays particular attention to the Zulu homestead. It looks at the construction of a Zulu hut, the arrangement of huts in the homestead, the importance of the cattle kraal, etc. It also looks at the division of labour within the Zulu homestead and the importance of each member of the family in making things run smoothly in the homestead. Chapter three 'Morphological analysis of homestead names' looks at the linguistic features of homestead names. It looks at the difference between nouns and names, the locative prefixes and suffixes used in homestead names and also looks different stems that homestead names have. This chapter also focuses on homestead names as a morphological exception. The last but one chapter 'The aetiology of homestead names' looks at homestead names as a reflection of social dynamics in the community of Mabengela. It pays particular attention to the reasons for name-giving, time for naming the homestead, etc. It also looks at the different categories in which homestead names in Mabengela have been categorised and what these names reflect about the community of Mabengela. The last chapter is the conclusion of the dissertation.
The influences of traditional medicine in relation to its various use by the African societies : a review of Zulu novels.
(2000) Ntshangase, Sicelo Ziphozonke.; Ngubane, Sihawukele Emmanuel.
Traditional medicine, unlike western medicine, is not merely concerned with physical illness, but it is used for various purposes. For instance: It can be used for lkuthwala' (the process whereby a person consults a traditional doctor for the medicine that will make a person very rich). The practice of 'ukuthwala' has numerous disavantages, especially because of the price that is paid in return of the wealth accumulated. The price is usually a human sacrifice, depending on what version of Ukuthwala' a person has opted for. Traditional medicine can also be used for witchcraft (ukuthakatha),for protection against evil spirits (ukuqinisa) , for making someone love you, for job opportunities, and for inspiration of the army. It can be either used for good or evil purposes. The dissertation looks at both versions by strongly drawing examples from Zulu novels. Other issues raised in this study is the importance of religion and cosmology, culture, magic, as well as spiritual healing, in association with traditional medicine. The Africans believe in the spirit world. They believed that for people to communicate with 'Mvelinqangi ' (God) there should be 'amadlozi' (the ancestors), who should intercede with God on their behalf. Usually, they call a sangoma' (medium) or 'inyanga' (medicine-man) to perform the religious ritual, or he would just instruct the elder person in the family how to carry out the procedure of communicating with the ancestors (Canonici, 1996). Traditional medicine has its own professional ethics. These ethics are also discussed in the research.
Meaning behind the use and wearing of traditional beadwork at Msinga Area.
(2000) Zungu, Bonisile Pretty Khethiwe.; Ndimande-Hlongwa, Nobuhle Purity.; Zungu, Phyllis Jane Nonhlanhla.
A study was conducted to determine the meaning that the people of Msinga area assign to the use and wearing of traditional beadwork. Many people in most areas of our country have adopted the western culture which brought along with it Christianity that led to a decline in the wearing and the use of traditional beadwork. Western civilization also divided the community into two categories, where one finds people who still adhere to traditional culture and those that are westernized. The question that this study aimed to address is to find out whether the people of Msinga area that are still adhering to their traditional culture still value the use and wearing of traditional beadwork. If they do so, what meaning do they assign to any type of beadwork they make and wear? Findings were that those people of Msinga area that are still adhering to their traditional culture, still value the use and wearing of traditional beadwork, and that they have an influence to those that are westernized who are now considering wearing their traditional beadwork as well.
Ukwenziwa kwesichazimagama sesilengi olimini lwesizulu : Specialised lexicography with reference to the Zulu slang.
(2000) Simelane, Jabulani Daniel.; Zungu, Phyllis Jane Nonhlanhla.; Sitaram, Rambhajun.
The research 'Specialized Lexicography with reference to the Zulu Slang' focuses on the aspects of language development which have not yet been considered in isiZulu language. The study also tries to uncover how other languages have benefited from slang words. Linguistic, lexicographical and psycho-social theories have been used in this study to guide the analysis and interpretation of the data. Fromkin and Rodman's (1978) general linguistic theory states that for one to understand one's humanity, one must understand the language that makes one human. The only specific theory of lexicography is that of Zgusta (1971). This theory says that lexicography is connected with all language disciplines. However, there are other theories that have been used like Symbolic Interaction Theory by Mead (1934) which focuses on the way in which people interact with others. Attraction Theory has been used. This theory states that some people get attracted to others, while some incur losses during the process. The Attraction Theory by Grush, Clore, and Costin, (1988) is a psychological theory which proposes that it is human nature to be attracted to things which come easily. Data was collected by means of the participant observation method so that naturally occurring data could be observed and noted. In the case of slang, speakers use this subconsciously at most times. Hence, this method proved to be the best and most reliable method for collecting primary data. The findings of the study indicates that slang words have a major contribution in a language development. Zulu slang words are constantly being used in texts, television and radio. Hence, these words are very much part of Zulu language development and change. However, they have not been documented in a dictionary or otherwise. The main conclusion of the study is that Zulu slang words are part and parcel of many Zulu speakers vocabulary. This, therefore, creates the need for documentation of these words in a dictionary viz. a dictionary of Zulu slang. The following recommendation are made: 1. The formulation of a Zulu Slang Dictionary is an imperative. 2. Other African languages should also pursue such an endeavor. 3. NRF, PANSALB and other language related councils should not only focus on the standardization of languages, but ought also to focus on the development of non-standard varieties e.g. Slang, these institutions should also offer funding with regard to such developments.
The influence of selected English romantic poets in B.W. Vilakazi's poetry.
(2001) Ngidi, Evangeline Bonisiwe.; Koopman, Adrian.
B.W. Vilakazi is regarded by many literary critics as the best poet of his time, who had he lived longer, would have marked his living years the Vilakazi era. It is for this reason that I decided to embark on the study of his poetry, and that which influenced him, mainly the English Romantic Poets. In doing this research I also emphasised typical aspects of Romantic poets so as to clarify whether Vilakazi does fall under this category (Romantic category). In the introduction of Inkondlo kaZulu Gumede remarks thus on B.W. Vilakazi's poetry: "UVilakazi tstqungo sokwakha izosha lezi usithole esiblgisini. Usebenzisa isiZulu kanye nemizekeliso yaso namalutha, ekhombisa ithuba lokuqhuba isiZulu sibe nenkinga yaso yezincwadi noma izosha lezi zincikile esiNgisini. Ube nesibindi sokuzisukela aqambe lolu hlobo lwezibongo zesiZulu wangagudluka endleleni endala." (l935:vi) "Vilakazi gets his poetic inspiration from English. He uses Zulu images and superstitions to show that Zulu can have its own literature even though it is related to English. It is very brave of him to compose new genre in Zulu praises, without diverting from the original version by older poets." The scope of the study will be as follows: Chapter One is an introductory chapter which includes: the aim of the study; preamble, literature review, research methodology, biographical notes on Vilakazi, Vilakazi's literary works (novels, anthologies of poetry, articles in journals), Vilakazi's lexicographical work (the Dictionary), Vilakazi's influences (his own personal experiences, traditional poetry, traditional prose narrative, Biblical influences and mostly the English Romantic Poets). This chapter includes the definition of Poetry and the definition of a poet, definition of a Bard 'Imbongi', it also defines Romanticism (as a movement and as a concept); and it gives various critical views on RW. Vilakazi. Chapter Two deals with the influence of English Romantic Poets on Vilakazi, and looks at certain poems of Wordsworth, Keats and Shelley. Chapter Three deals with Vilakazi as a Romantic poet (certain Poems with Romantic aspects). Chapter Four is the Conclusion looking at the extent that the Romantic poets influenced Vilakazi's writing.
The non-productive verbal extensions in Zulu : a study in derivational morphology.
(2001) Shangase, Sibusiso Elphus.; De Kadt, Elizabeth.
Verbal extensions are well-known to play a most substantial role in the derivation and/or inflection of verbs in contemporary Zulu. Less well-known and less well investigated are a group of verbal derivatives which in former times played a significant role in derivation but which can no longer be freely attached to verbal stems: the non-productive verbal extensions (NPEs.) This thesis seeks to present and discuss all aspects of these NPEs from the perspective of their persisting roles in contemporary Zulu. This is undertaken on the basis of an extensive collection of currently-used verbs derived by means of NPEs, which is presented in the Appendix. Chapter 1 locates the study within the context of verbal extensions as a whole, and reviews the literature, which has focussed primarily on those verbal extensions which are still used productively today. Chapter 2 presents the theoretical framework for the investigation, considering issues such as productivity, derivation and inflection, and some relevant aspects of the theory of derivational morphology, currently under development. The following chapters focus in turn on the morphology of the NPEs, their current use in combination with productive extensions, the most salient aspect of their syntax, transitivity, and their meaning. NPEs have become fully integrated into Zulu vocabulary, and are used on a daily basis with no awareness of their earlier roles. Nevertheless, as this thesis demonstrates, a study of NPEs can explain both certain regularities and certain anomalies in word formation , in transitivity, and in the meaning of extended verbs in contemporary Zulu.
A critical study of Elliot Zondi's historical dramas.
(2001) Ntshangase, Duduzile Audrey.; Maphumulo, Abednego Mandlenkosi.
The study concentrate on a critical analysis of Elliot Zondi's historical dramas, Insumansumane and Ukufa KukaShaka. The study constitutes an attempt to apply the theoretical approaches. The plays have been chosen only for reasons of my personal acquaintance. The whole study is divided into six chapters. Chapter one focuses on the general introduction. The general introduction will cover the aim of the study, research methodology, historical background of the plays, definition of terms and the biographical notes of the author. At the end of this chapter there will be a conclusion. Chapter two, deals with theme. The theme covers the following sub topics: title in relation to theme, the comparison between the theme and plot, theme and style, theme and dialogue, theme and characters, types of themes such as: theme of loyalty, theme of poverty, love, political violence and the moral lesson found in Elliot Zondi's historical drama books. Chapter three concerns itself with style and dialogue. Style and dialogue will look at the sentence construction, language, figures of speech, title and symbolism. Chapter four concentrates on plot and characters, which covers exposition, motoric moment, conflict, complication, tension, climax, suspense in the title, beginning, the middle and the end of the play, characterization, naming of characters, types of characters, kinds of characters and the development of characters. Chapter five deals with setting, which covers time, place and social circumstances. There will be a short summary, which leads to the discussion of the following chapter. Chapter six focuses on the general conclusion.
A critical analysis of N.F. Mbhele's one-act plays.
(2001) Khumalo, Ellie.; Maphumulo, Abednego Mandlenkosi.
This thesis investigates the appropriateness and the accuracy of Mbhele's artistry in writing his one-act plays from Izivunguvungu Zempilo, Ishashalazi and Ezemihla Nayizolo. It considers the formal literary elements which include characterisation, themes, setting, plot, dialogue and style of the writer inclusive of the language that has been used. It also involves different kinds of themes that are revealed by this dramatist in his work. His themes cover all the aspects of life. This includes the exploration of the previous political situation and its effect on the lives of the people, the effect of the Western influences on black South Africans and the people's perspectives on education and religion. The theoretical framework that has been used in this study is the historical-biographical approach. The interview with the author has been very helpful in this regard. The purpose of the interview has been to develop some kind of understanding of the author's own ideas, his early life experiences, his educational background, and the sense of the situation the author writes about. This study consists of six chapters; the first chapter serves as the general introduction for the whole thesis. The author's biographical notes, the identification and the discussion of the research methodology and the definition of some important terms, form part of chapter one. In each chapter, there is an explicit explanation of each formal literary element in relation to Mbhele's one-act plays. Chapter two deals with both characterisation and plot, because plot deals with all the events in a story and the way in which these events are connected. All the events in a story involve the characters. Chapter three investigates the themes that are found in Mbhele's one-act plays, and the ways in which they are revealed. Chapter four consists of the dialogue and style of the writer, which includes his use of the language and the form of address used by the characters to address each other. Chapter five discusses the social background of the characters in relation to what they do in the plays. This includes their given social circumstances, the time and the place which the writer has created for them. Chapter six is the general conclusion for the whole study. It includes the summary, observation and some implications for further research.
The portrayal of female characters in selected Zulu texts.
(2002) Gumede, Henry Sifiso.; Canonici, Noemio Noverino.
The condition of women in African societies has always been object of intense discussion The present research takes its move from an analysis of four main literary works in Zulu, and a number of supporting texts, to monitor, as it were, the development of attitudes towards women during the second half of the 20th century. Literature is considered, in fact, a mirror of society. Traditional Southern African society is strongly patriarchal and conservative. A woman's role is generally viewed as the life-giver and the nurturer of the new generation of her husband's offspring. She is in charge of the gardens, where she grows the family food, while her husband is busy with his wars, cattle raiding ventures and politics. Patriarchy may reach severe forms of women oppression through the systems of ilobolo (bride-wealth) and of polygamy, but is also expressed by the exclusion of women from the economic, artistic and legal fields. Forms of freedom - of movement, or sexual or economic - allotted to men are never considered for women. Each of the four chosen texts emphasises one or more aspect of women oppression by the male dominated society, as reflected in popular life at the time of writing. So Uvalo Lwezinhlonzi, written in 1956, is a manifesto for freedom in the choice of a life partner, which is generally obstructed by the father's greed for ilobolo cattle and his ambition to be recognized among the notables of the district. Inkinsela YaseMgungundlovu (1961) fights for women's equal rights in the financial field. NguMbuthuma-ke Lowo (1982) is a desperate cry in the face of abuses in polygamous families. And Ikhiwane Elihle (1985) fights aspects of the new morality that accepts sexual freedom for women, since men also claim such freedom. The thesis is topical, and, to render it even more so, it often avails itself of ideas of feminist writers and critics, although such theories have not touched the nerve of the Zulu public as yet.
Ukuzibophezela ekuqhakambiseni usikompilo encwadini insumansumane ebhalwe ngu Elliot Zondi.
(2002) Mathonsi, Sibuselaphi.; Mathonsi, Nhlanhla Naphtal.; Magwaza, Thenjiwe S. C.
Lolu cwaningo, "Ukuzibophezela ekuqhakambiseni usikompilo encwadini Insumansumane ebhalwe ngu-Elliot Zondi", luhlose ukuveza ukubaluleka kwezingxenye zosikompilo lukaZulu ezitholakala encwadini ebhalwe ngu-Elliot Zondi ethi iNsumansumane. Lolu cwaningo lugqugquzelwe ngukuthi imibhalo eminingi yesiZulu ayibukeki ikhuthaza okungamasiko namagugu esizwe sikaZulu kanti Insumansumane ibukeka izibophezele empilweni yesizwe sikaPhunga noMageba. Lokhu kuvela ezingxenyeni ezithile lapho uZondi ekhuthaza futhi eqhakambisa okungamagugu esizwe sikaZulu, ethi kufanele kugcinwe, kuhlonishwe ngoba kungumgogodla wesizwe. Ukubukezwa kwemibhalo esondelene nalolu cwaningo kuveze ukuthi abahlaziyi abathile banemibono eyahlukene ngomyalezo oqukethwe yiNsumansumane. Lolu cwaningo lubheke yonke lemibono lwase luqhamuka nombono owahlukile. UZondi kwiNsumansumane ulwa nemithetho yamaNgisi elumisa okwembabazane nephambene nenqubo yesizwe samaZulu. Imibhalo efana neNsumansumane iphonsa inselelo kwabanye ababhali besiZulu ukuba babhale bakhuthaze ukugcinwa kwamasiko esizwe sikaZulu. Insumansumane ikhombisa ukuthi ayisiwona nje umbhalo wokuba ufundwe ezikoleni kuphela, kepha nomphakathi kaZulu wonkana ungazuza okuningi okuyisisekelo sobuzwe bukaZulu. UZondi akagcini nje ngokuba aveze izinkinga ezikhungethe isizwe, kepha uveza nekhambi lokuxazulula lezi zinkinga. Insumansumane ingumbhalo ofundisayo nokhuthaza ukwazana nokubekezelelana kwezinhlanga ezakhele leli zwe, ezahlukene ngokwamasiko. Ngaphandle kokuthi Insumansumane iyakhuthaza, iyisibuko sikaZulu lapho izizukulwane ziyokwazi ukuzibuka khona, ziziqhenye ngobuzwe bazo, iphonsa inselelo kwabanye ababhali besiZulu ukuba babhale ngokungananazi bakhuthaze ukugcinwa kwamasiko esizwe sikaZulu. Ngenxa yemigomo yobufishane balolu cwanmgo, yokubheka kuphela ukuzibophezela kweNsumansumane kusikompilo lwezenhlalakahle yesizwe samaZulu, angikwazanga ukubheka eminye imikhakha kulo mdlalo nakweminye imibhalo ezibophezele kusikompilo lukaZulu. Ukwenza isibonelo nje, umbhalo kaMsimang (1975) othi Izulu eladuma eSandlwana, ubukeka ungomunye wemibhalo ezibophezele kusikompilo lwezenhlalakahle kaZulu. Kungaba ukubamba iqhaza elibalulekile ukuba kekucwaningwe kubhekwe ukuthi yiziphi izingxenye zosikompilo lwezenhlalakahle uMsimang aziqhakambisile nokuthi zibaluleke kangakanani esizweni.
The social and linguistic implications of Zulu nicknames in the industrial workplace : a case study of the Westmead industrial area in Kwazulu-Natal.
(2003) Khuboni, Fikile.; Ngubane, Sihawukele Emmanuel.
No abstract available.
The functions of dreams and visions in the ibandla lamaNazaretha at Inanda.
(2003) McNulty, Grant.; Magwaza, Thenjiwe S. C.
This study investigates the function of dreams and visions in the Shembe church at Inanda. It looks at who Isia Shembe (the church founder) and his lineage are to Shembeites, the nature of the relationship between Shembe and the amadlozi (ancestors) and what roles they play in Shembeite life. The data was collected using qualitative methodology - in-depth interviews that were transcribed and where necessary, translated. The study is best understood within a structural-functionalism framework, which accounts for the social and cultural aspects of the religion. The study concludes that Isia Shembe and his lineage are generally thought of as prophets through whom God works. Shembe and the amadlozi often work as a unit and perform the roles of converter, purveyors of good fortune and guides or directors. In addition, Shembe solely performs the roles of cultural leader and mediator between Shembeites and the amadlozi and between Shembeites and God. Dreams and visions function to guide Shembeites, as communication with the spiritual realm, as a method of conversion and as re-affirmations of faith.
Ukuvezwa komlando ezibongweni zamakhosi amabili akwazulu, uDingane nomPande.
(2007) Khuzwayo, Anthony S'busiso.
This research is entitled "The historical representation of the praise-poetry of the two Zulu kings, Dingane and Mpande." In this study the researcher is trying to explore the ways in which history is portrayed in these two above mentioned kings. This is done firstly by looking particularly at their historical outlooks and secondly by looking at their praises. In traditional Zulu society, every Royal king has to possess praises. Therefore the praises basically contain historical events. The analysis of the findings reveals that king praises contain largely of the heroic deeds, body features and characteristics of the kings. Based on this statement it therefore stands to reason that the king praises cannot be considered merely as a complete history of the Zulu kings. The data collection was carried out through interviews and through reading books for each king. It must be noted that the king praises are only performed by a bard/imbongi. The king praises serve as a mirror that detects how the king live and perform the duties of the nation.
The implementation of isiZulu as a subject in the public primary schools of the Lower Tugela Circuit in KwaDukuza (Stanger)
(2008) Mthembu, Tozama.; Geyser, Annelie.
The study aims to investigate the extent to which isiZulu is promoted as a subject in the
Iqhaza elingabanjwa ubuciko namasiko ukukhuthasa ukuzwana nokubekezelelana ngokwamasiko nokuvuselela ubuntu phakahi kwezinhlanga ezahlukene KwaZulu-Natal.
(2008) Khumalo, Msawenkosi Zamokwakhe.; Ndimande-Hlongwa, Nobuhle Purity.
Lolu lucwaningo olumayelana neqhaza elingabanjwa ubuciko namasiko ukukhuthaza ukuzwana nokubekezelelana ngokwamasiko nokuvuselela ubuntu phakathi kwezinhlanga ezahlukene KwaZulu-Natal. Kulolu cwaningo kucutshungulwa izindlela ezingasetshenziswa ukwenza izizwe zamasiko ehlukahlukene zikwazi ukwazana kangcono nokungaholela ekuhloniphaneni kanye nasekuhlalisaneni ngokuzwana. Ngasekuqaleni kwalolu cwaningo, kuye kwahlahlelwa kabanzi amagama abumbe isihloko salolu cwaningo ngenhloso yokuveza ukubaluleka kwalolu cwaningo. Kuye kwavela izincazelo ezahlukene ezichaza isiko, kuvele umongo wesiko njengomthetho wesizwe oyinkolelo yokwakha umphakathi, ukuzazisa nokwehluka kwesizwe kwezinye, ubugugu, ukuziphatha kanye nendlela yokuphilisana ngokwabelana kwabantu nokuhlanganisa impilo yabantu. Kulolu cwaningo kubhekwe iqhaza elibanjwe ngumkhakha wezobuciko namasiko ukuphumelelisa impokophelo yoMnyango Wezemfundo KwaZulu-Natal nokuyilapho kuye kwavela khona ukugqugquzela nokulondoloza amagugu esizwe kanye nokuthuthukisa imisebenzi yezobuciko namasiko njengeminye yemisebenzi esemqoka yalolu phiko. Kuye kwacutshungulwa eminye yemikhosi egujwa yisizwe samaZulu okubalwa phakathi kweminye, uMkhosi woMhlanga; uMkhosi weLembe (inkosi uShaka) kanye noMkhosi woKweshwama. Lapha kuye kwacutshungulwa umsuka kanye nomongo womkhosi ngomkhosi ngenhloso yokuthola ukufana okuqukethwe nokungaholela ekwakheni ukwazana kangcono ngenxa yomongo ofanayo oqukethwe yisiko lesizwe nesizwe. Lokhu kwenzeke ngokubheka neminye yemikhosi egujwa yisizwe samaNdiya okubalwa kuyo umgubho woBuciko Bomlomo; umgubho kaDiwali kanye naleyo egujwa ngokuhlanganyela kwezinhlanga ezahlukene zaKwaZulu-Natal okubalwa kuyo umgubho woKunambitha kanye noWesitimela. Phakathi kolwazi oluqoqiwe Iwalolu cwaningo, kuye kwavela lokhu okulandelayo njengalokho okungabamba iqhaza ukukhuthaza ukuzwana nokubekezelelana ngokwamasiko nokuvuselela ubuntu: ukufundisa ngamasiko; ukusebenzisa ubuciko namasiko ukuvuselela ubuntu; ukuthuthukisa izilimi zomdabu; ukuziqhayisa kwentsha ngesiko; ukukhuthaza ubusikoningi kanye nobuliminingi.

Browse

Browsing Masters Degrees (African Languages) by Issue Date