Doctoral Degrees (Media, Visual Arts and Drama)

Permanent URI for this collectionhttps://hdl.handle.net/10413/7275

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Beyond homeland crisis: identity negotiation of Black Zimbabwean women migrants in the South African metropolis of Johannesburg.
(2017) Gadzikwa, Joanah.; Jones, Nicola-Jane.
The thesis interrogates the identity creations/recreation and negotiations/renegotiations of Zimbabwean women migrants living in the metropolis of Johannesburg. The study combines the self-descriptions of women migrants with media narratives about Zimbabwean women migrants to unearth an area of research that has received little attention from the scholarly community. The research employs ethnographic, in-depth interviews with Zimbabwean women immigrants living in Johannesburg to gather narrative data about their lived experiences. Together with a qualitative content analysis of articles published in Johannesburg-based news websites on Zimbabwean women migrants, details of the immigrants’ experiences are extracted to determine the types of identities they construct. The media narratives provide the basis for identifying emerging themes using the Grounded Theory Method (GTM), and a theoretical framework for understanding how the migrant women’s experiences are constructed through the othering process. The underlying ideologies in the media narratives on Zimbabwean women migrants are further explored using a combination of Gee’s framework and a Foucauldian discourse analysis (FDA). The second stream of data, the migrant women’s narratives, shed light on the growing phenomenon of the feminisation of migration. The interviewees described a transnational place of space, located in a realm somewhere in between, where their identities are negotiated. While home, as perceived by the women migrants interviewed in this study, remains their country of origin, belonging becomes a concept that requires redefinition. Using the metaphor of transnationalism and transmigration, their identities remain tied to what they become when they enter South Africa. To the people back home, the women migrants attain a saviour identity through remittances. Notwithstanding the challenges the metropolis poses to non-nationals, the women migrants interviewed in this study professed resilience, even self-sacrifice, for the sake of their children, parents, relatives and siblings. The analysis of the women’s narratives also reveals their agency in the migration matrix that goes beyond economic gains. While monetary gains remain an important factor in the feminisation of migration, the women’s narratives revealed other benefits that are in line with their caregiving and nurturing inclinations. Bringing together the findings from the two data streams through a triangulation, points of divergence and convergence between the women’s self-description and the media narratives are apparent. In terms of identities, the media has constructed demeaning discourses upon which the Zimbabwean women migrants’ collective identities can be deduced. The discourses of xenophobia, identity crisis, victimhood and vulnerability provide a fertile ground for the cultivation, culturing and subsequent harvest of identities such as prostitutes, criminals and vagabonds that the media presents to the public domain. In contrast, however, the women’s self-descriptions bring to the fore valorised identities of great benefactors, opportunists and agents who are the architects to their own personal growth and development in their land of exile.
Deviant doodling: contextualising the discourses of Zapiro in a socially responsible press.
(2016) Pitcher, Sandra.; Jones, Nicola-Jane.
Abstract available in PDF file.
Other than ourselves : an exploration of "self-othering" in Afrikaner identity construction in Beeld newspaper.
(2014) Vanderhaeghen, Yves Nicholas.; Jones, Nicola-Jane.
This thesis explores Afrikaner identity construction in Beeld using the concept of “self-othering”, by which is meant first, the representation of the group as “othered” or marginalised, and second, the re-articulation of Afrikaners as “innocent”. “Self-othering” takes place within discourses of guilt, loss, fear, belonging, transformation and reconciliation, at a time when a national identity imagined as a “Rainbow Nation” is being contested by discourses of Africanism, nativism and minority rights. These discourses are articulated in the context of the globalisation of South Africa’s economy, which has consolidated the economic fractures that characterised Apartheid. The thesis is formulated in an interpretive paradigm, uses the post-structuralist Discourse Theory of Ernesto Laclau and Chantal Mouffe as a theoretical framework, and draws heavily on Judith Butler’s concept of “grievable life” to analyse the ambivalences in the mediation and utterance of an identity positioned in “otherness”. A qualitative research methodology is employed to interpret the discourses that emerge in my Beeld case study. I argue in the thesis that articulation, a concept central to the theory of Laclau and Mouffe, seeks to achieve for Afrikaners moral equivalence in a chain of meaning hegemonised by the liberation narrative, so as to restore a legitimacy of common citizenship compromised by Apartheid and subject to contemporary discourses of exclusion. In considering how the Afrikaner self is positioned to the racial “other” in and by Beeld, I conclude that these relations are, in spite of prevailing discourses of reconciliation, “antagonistic”, while the intra-group construction of Afrikaners within the discursive space of Beeld is “agonistic”, thereby reinforcing the sense of an ethnic group identity over other identities. I also conclude that the utterance of Afrikaner innocence renders 2 reconciliation with the “other” of Apartheid redundant (as opposed to denied) as an element of identity because the rearticulated subject of reconciliation has been (self)absolved of guilt, leaving the historical (racial) victim “ungrieved” as the boundary of difference hardens into a frontier of antagonism. This study makes a contribution to media studies by, first, introducing and developing the concept of “self-othering” as a mode of rhetorical displacement in representation, and second, by suggesting that it establishes a structural oscillation and an irreconcilable stress between the discursive ontological objectives embodied in “readers” and the ethical journalistic objectives which guide not just individual reports but the newspaper as a performative utterance in itself.

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Browsing Doctoral Degrees (Media, Visual Arts and Drama) by Author "Jones, Nicola-Jane."