Post-traumatic and post-modern : a South African "Electra".

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dc.creator Steinmeyer, Elke.
dc.date.accessioned 2012-11-12T14:21:18Z
dc.date.available 2012-11-12T14:21:18Z
dc.date.created 2009
dc.date.issued 2009
dc.identifier.citation Steinmeyer, E. 2009. Post-Traumatic and post-modern : a South African “Electra”. "Akroterion" 54, pp. 111-124. en
dc.identifier.issn 0303-1896
dc.identifier.uri http://akroterion.journals.ac.za/pub/article/view/30 en
dc.identifier.uri http://hdl.handle.net/10413/7837
dc.description.abstract The ancient myth of Electra seems to be of particular interest to South African writers and playwrights. This article focuses on the adaptation by Mervyn McMurtry, entitled Electra, which was produced in Durban in 2000. The underlying theme of his adaptation, which is based on the four Greek “Electra” tragedies by Aeschylus, Sophocles and Euripides, is the question of truth. This question — an important post-modern one — was of particular relevance for the Truth and Reconciliation Commission (TRC) in South Africa as it tried to deal with the legacy of the former apartheid regime. McMurtry’s play begins with a prologue six days after the matricide, while the actual play is performed as a sort of flashback. All the characters suffer from various symptoms of post-traumatic stress disorder. The chorus consists exclusively of women who all have been victims / survivors of male violence. This article proposes that McMurtry uses the ancient Electra myth to reflect on the situation of contemporary South African society (and particularly women), as it struggles to come to terms with a traumatic past. en
dc.language.iso en en
dc.publisher University of Stellenbosch. en
dc.subject Electra (Greek mythology)--Drama. en
dc.subject Greek drama (Tragedy)--Adaptations--History and criticism. en
dc.subject McMurty, Mervyn. Electra. en
dc.title Post-traumatic and post-modern : a South African "Electra". en
dc.type Peer reviewed journal article en

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