Browsing English, Media and Performance Studies by Subject "Group identity in the performing arts."
Now showing items 1-1 of 1
Representing the 'ouens' : an investigation into the construction of performed identities on stage in KwaZulu-Natal, in the works of Quincy Fynn (Walking like an African, 2004) and Kaseran Pillay (My cousin brother, 2003). (2006)'The core of the theatre is an encounter. The [character) who makes an act of self revelation is, so to speak, one who establishes contact with himself. That is to say, an extreme confrontation, sincere, disciplined, precise ...