Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence.

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dc.contributor.advisor Arnott, Jill Margaret.
dc.creator Hemmings, Jonathan Michael.
dc.date.accessioned 2010-08-19T07:32:03Z
dc.date.available 2010-08-19T07:32:03Z
dc.date.created 2008
dc.date.issued 2008
dc.identifier.uri http://hdl.handle.net/10413/302
dc.description Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2008 en_US
dc.description.abstract This thesis is an in-depth analysis of George Romero's 'Living Dead' tetralogy of films, comprising Night of the Living Dead (1968), Dawn ofthe-Bead (1978), Day of the Dead(\985) and Land of the Dead (2005), examined through the lensf of contemporary film genre theory. The project focuses specifically on issues of the representation of race, class, culture and violence in the four films, and how these representations, along with the concomitant social critique evident in Romero's work, change in response to the upheavals and developments which have occurred in the American social, cultural and political climate over the past four decades. It also focuses on how Romero's films respond to changes in the horror genre, and how Romero both structures his films on the binary oppositions which are central to the genre and deconstructs these oppositions, and the implications that this deconstruction (most notably that of the figure of the zombie, which occupies a zone of constantly shifting liminality between the human and the monstrous) has in relation to Romero's socio-cultural and political commentary implicit in the films.
dc.language.iso en en_US
dc.subject Horror films--History and criticism. en_US
dc.subject Romero, George A.--Criticism and interpretation. en_US
dc.subject Zombie films--History and criticism. en_US
dc.subject Motion picture--Producers and directors--United States. en_US
dc.subject Theses--English. en_US
dc.title Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. en_US
dc.type Thesis en_US

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