Telling tales, allowing the body to speak : redefining the art of flesh in feminist performance art.
This thesis is constructed between a double argument. The first is a feminist argument that the female body may be viewed as a tool for cultural reinscription against dominant structures of subjectivity and representation that have rendered women the common flesh of art, without recourse to their own representational economy. Secondly, it is argued that the female body can never be recuperated as an essential, original form. That is, there is no essential female body or nature to be represented. In this sense, the body is artificial, or not natural, and so can be re-presented, specifically in feminist performance art, in order to rework radically the relationship between language, subjectivity and desire. The research undertaken is genealogical and also looks towards the future: deconstructing the historical imperatives that have produced 'the female body' and suggesting ways in which feminist performance art may redefine the ways in which female flesh is represented.
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Quantifying and benchmarking irrigation scheme performance with water balances and performance indicators. Greaves, Kevin Robert. (2007)South Africa is a water scarce country. As pressure on available water resources increases, irrigation, the largest consumer of water, has to find ways of improving water use efficiency. Benchmarking in the irrigation ...
Zulu song, oral art performing the psalms to stir the heart : applying indigenous form to the translation and performance of some praise psalms. Dickie, June Frances. (2017)Bible translation needs to communicate the original message in a form that is accessible and acceptable to the local community. This requires utilizing the communication media and forms the people use in everyday life. In ...