Inheriting man's estate : constructions of masculinity in selected popular narrative.
| dc.contributor.advisor | Van der Hoven, Anton. | |
| dc.contributor.author | Ewer, Patricia Gail. | |
| dc.date.accessioned | 2010-11-26T05:59:42Z | |
| dc.date.available | 2010-11-26T05:59:42Z | |
| dc.date.created | 2005 | |
| dc.date.issued | 2005 | |
| dc.description | Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2005. | en_US |
| dc.description.abstract | This dissertation analyses the violence of patriarchal culture as it is staged in three twentieth century texts: the Colombian writer Gabriel Garcia Marquez's Chronicle of a Death Foretold (1981), the South African novelist Mark Behr's The Smell of Apples (1993) and the American film Night of the Hunter (1954) directed by Charles Laughton. Each of these works focuses on the induction of the boy child into culture and the trauma attendant on this process of accession. The thesis is that if culture is violent then it must follow that damage is done to the developing subject in the process of its construction by the cultural forces that shape masculinity. The theoretical grounding of the analysis is derived from two main sources: Jacques Derrida's account of the violence of culture in Of Grammatology (1976) and the analysis of patriarchy and the Oedipal development of the boy child into manhood found in the work of Freud and Lacan. Derrida is used for his thinking on the inherently violent nature of culture and the way in which cultural discourse is structured through binary dualisms. The three chosen works all critique and dismantle binarist thinking as a move towards imagining a less destructive discursive order. The Oedipal narrative, as a myth which describes and explains the forces shaping the male child in the process of acculturation, exemplifies and illustrates cultural violence: As expounded by Freud and Lacan, the Oedipal myth is one which underpins all three of the chosen works. Derrida, Freud and Lacan have been very usefully mediated by several cultural critics and therefore extensive use is made of commentaries by Kaja Silverman, Frank Krutnik and Madan Sarup. Slavoj Zizek's interpretations of Lacan have also yielded much that is interesting about the nature of the Law of the Father and consequently reference is made to his ideas, principally in Chapter Four.This dissertation analyses the violence of patriarchal culture as it is staged in three twentieth century texts: the Colombian writer Gabriel Garcia Marquez's Chronicle of a Death Foretold (1981), the South African novelist Mark Behr's The Smell of Apples (1993) and the American film Night of the Hunter (1954) directed by Charles Laughton. Each of these works focuses on the induction of the boy child into culture and the trauma attendant on this process of accession. The thesis is that if culture is violent then it must follow that damage is done to the developing subject in the process of its construction by the cultural forces that shape masculinity. The theoretical grounding of the analysis is derived from two main sources: Jacques Derrida's account of the violence of culture in Of Grammatology (1976) and the analysis of patriarchy and the Oedipal development of the boy child into manhood found in the work of Freud and Lacan. Derrida is used for his thinking on the inherently violent nature of culture and the way in which cultural discourse is structured through binary dualisms. The three chosen works all critique and dismantle binarist thinking as a move towards imagining a less destructive discursive order. The Oedipal narrative, as a myth which describes and explains the forces shaping the male child in the process of acculturation, exemplifies and illustrates cultural violence: As expounded by Freud and Lacan, the Oedipal myth is one which underpins all three of the chosen works. Derrida, Freud and Lacan have been very usefully mediated by several cultural critics and therefore extensive use is made of commentaries by Kaja Silverman, Frank Krutnik and Madan Sarup. Slavoj Zizek's interpretations of Lacan have also yielded much that is interesting about the nature of the Law of the Father and consequently reference is made to his ideas, principally in Chapter Four. | en_US |
| dc.identifier.uri | http://hdl.handle.net/10413/1913 | |
| dc.language.iso | en | en_US |
| dc.subject | Theses--English. | en_US |
| dc.subject | Masculinity in popular culture. | en_US |
| dc.subject | Garcia Marquez, Gabriel, 1928- . Chronicle of a death foretold. | en_US |
| dc.subject | Behr, Mark, 1963- . Smell of apples, The. | en_US |
| dc.subject | Men in motion pictures. | en_US |
| dc.subject | Masculinity in motion pictures. | en_US |
| dc.subject | Masculinity in literature. | en_US |
| dc.subject | Men in literature. | en_US |
| dc.subject | Laughton, Charles, 1899-1962. Night of the hunter. | en_US |
| dc.title | Inheriting man's estate : constructions of masculinity in selected popular narrative. | en_US |
| dc.type | Thesis | en_US |