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dc.contributor.advisorDe Meyer, Bernard.
dc.creatorNtando, Joel Bonsango.
dc.date.accessioned2018-02-08T10:31:11Z
dc.date.available2018-02-08T10:31:11Z
dc.date.created2015
dc.date.issued2015
dc.identifier.urihttp://hdl.handle.net/10413/14968
dc.descriptionMaster of Art in French University of KwaZulu-Natal, Durban 2015.en_US
dc.description.abstractThe student’s primary motivation for engaging in this research project was to contribute to the existing body of knowledge on the analysis of comics particularly those of Africa. The study focuses on Aya de Yopougon because of its success and historical richness. In the latter comic, two parallel worlds are presented: the Ivory Coast and France after 1960. Furthermore, this project will try to illustrate the relationship that may exist between postcoloniality and notions such as colony, colonization, and postcolonialism. Finally, this work will enrich our understanding of the concept of postcoloniality in societies through comic panels.en_US
dc.language.isoen_ZAen_US
dc.subject.otherComics.en_US
dc.subject.otherPostcoloniality.en_US
dc.subject.otherMarguerite Abouet.en_US
dc.titleConcept de postcolonialité dans Aya de Yopougon de Marguerite Abouet par le biais de l’analyse d’une sélection des planches.en_US
dc.typeThesisen_US


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